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Adobe premiere pro cs6 effects tutorial free. Adobe Premiere Pro CS6 Tutorial - MasterClass Training |
Adobe Premiere Pro | Tutorial | Berkeley Advanced Media Institute - Free Adobe Premiere Pro Cs6
Adobe premiere pro cs6 effects tutorial free -
In this training course for Adobe Premiere CS6, expert author Jeff Sengstack introduces you to the powerful tools that are available to you in this video editing software from Adobe. Designed for the beginner, this tutorial begins with the basics, and gradually teaches you everything you need to do to create high-quality video projects.
You begin by learning what a video production workflow actually is, and how you are going to utilize this. You will learn about non-linear editing, and how to setup Premiere Pro to suit your own needs. As you progress through this computer based training course, you will learn how to create projects, edit them, add video and audio transitions, and even add video effects.
Jeff introduces you to other editing concepts such as color correction, compositing, effect animation, adding titles and graphics, working with audio and much much more! You should not edit the AVCHD folder or any files within this folder, or you risk corrupting the video footage. It is necessary to import your media into Premiere so you can begin editing. A finder window will open, and you can select the folder or individual files you want to import. You can view the files that are available on your computer or external hard drive and import them into Premiere.
Video files will appear as icons showing the first scene from the clip. You can also adjust the slider at the bottom to increase the size of the icons, and click on the three horizontal lines to sort by name, filetype, etc.
This, in conjunction with zooming on thumbnail view, offers an easy way to scrub through your videos and preview your clips. Double click on a file to preview it in the Source pane, located directly above the Project pane. This does not import the file, but allows you to play the clip, and scrub through it in a larger view. Premiere Pro CC will import the file and it will appear in the Project pane. You can also copy files from a media card to your computer and import them into Premiere in one action using the Media Browser.
This will copy media from your card to your computer, and import all at once. Adobe Media Encoder must be installed to import files this way.
To start, in the top bar of the Media Browser, select the checkbox labeled Ingest. Then click the wrench next to the Ingest checkbox to verify your settings. The Project Settings window will open to the tab called Ingest Settings. Primary Destination: Defines the location where the files will be copied. By default, the files will be placed in the same folder as your project file.
Click OK to save your settings. Navigate to locate your card using the Media Browser tab. Your media card should be under Local Drives. You can toggle the arrow to find the specific card you want to import files from. Right click on the file or folder you wish to import, and select Import from the menu options.
The media files will be copied from the card to your project file, and imported into your project. Another program called Adobe Media Encoder will open and show you a progress bar as the files are being copied, but you can ignore this and start editing immediately. There are multiple ways to use the Undo function. Navigate to the horizontal menu bar at the top of the page, right click Edit and select Undo from the menu.
In order to edit the footage you imported, navigate out of the Media Browser, to the Project tab in the Project pane. Double check that you are working in the Project pane and not the Media Browser. You can change how you view your footage- in a list or as icons you can scrub through -by selecting between two buttons in the bottom left of the Project pane.
You can view clips in the Source pane for a larger preview. Double click on a clip, or click and drag it onto the source monitor to preview. Once a clip has been loaded in the Source pane, you can use the buttons on the bottom, or the space bar on your keyboard to playback or pause the video.
You can drag it left or right to scrub forward or backward in the clip. J will rewind, K will pause, and L will play the clip forward. Clicking J or L multiple times will speed up playback forwards or backwards. Before you start editing, you need to create a sequence. A sequence is a container for all of your edits. Sequences are organized and accessed in the Project pane and edited in the Timeline. You can have multiple sequences in one project, or do all of your editing inside one sequence, it just depends on how you work.
To create a new sequence, navigate to the horizontal menu at the top of the screen. You can change settings here to match the video format for the camera you used for this project. This setting matches the resolution and frame rate we use with the Sony x70 camera. To create custom settings, open the Settings tab, located to the right of the Sequence Presets tab. Click the Save Preset button in the bottom left of the window.
A new window will open, prompting you to name your preset. Name the preset and click OK. Your preset will be available in the Sequence Presets tab, within the Custom folder at the bottom of the list of Available Presets. You can use your custom preset for future projects where you are editing video from the same camera. Premiere Pro CC will do this automatically when you drag a video clip from your Project pane into the Timeline.
It may only appear after you drag a clip into the Timeline from the project window or source monitor. You can add a clip to a sequence in the Timeline by dragging it from Source pane on the top left of the screen, down to the Timeline pane on the lower right. Alternatively, you can drag and drop video footage from the Project pane directly into the timeline. Drag the clip to the V1 video track on the timeline and release. Drag the icon that looks like an audio waveform, which appears just below the preview on the Source pane, to the audio tracks in the timeline.
Grab the icons just below the preview on the Source pane that appears like a film strip, and drag it to the video track of the timeline. You can also highlight a portion of the video as you preview it in the Source pane, to drag a selection into the timeline, rather than an entire video clip.
Click where you would like to begin the selection using the blue playhead. The area you have selected will be highlighted in the Source pane. Drag and drop the selection into the Timeline pane to edit.
The timeline is where you will do your editing and build your final video. Video clips appear as horizontal bars in the timeline. Those in the upper half Lines marked V1, V2, V3 etc. Those in the lower half A1, A2, A3 etc are audio content.
The thin vertical blue line is the playhead, and it shows your position in the timeline. When the playhead is over a video clip, the video will appear in the program pane above. For example, one video track will cover another. You can only view the top video clip in the Program pane. They play backwards, pause, and forward, respectively.
Zooming in and out on the clip allows you to view the seconds or minutes more closely, and edit your footage more precisely. You can move video clips around in the timeline by clicking and dragging them up, down, left or right. You can shorten clips by clicking on the edge of a clip and dragging it in. When you hover your cursor over the clip, a red arrow will appear. Click and drag inward to shorten the clip to the desired length. You can also lengthen a clip by clicking on the edge and dragging it out to the right.
If you have a clip with both video and audio tracks, and you want to change one track without affecting the other such as deleting the audio track , you can unlink them. To separate audio from video, click the Linked Selection button, which has an image of a mouse cursor over two bars. You now can move the video and audio track clips independently of each other.
For example, holding Alt will let you click and only select one audio track from a linked pair. The Snap icon looks like a U-shaped magnet, and should be highlighted blue if it is on, and white when it is turned off. You can also click S on your keyboard to turn it on and off. The razor tools is ideal for editing longer clips, like interview segments. You can bring the entire clip into the timeline and use the razor tool to make cuts to the clip. For a shortcut, you can also press C on your keyboard.
Your cursor will change to a small razor icon while you are using this tool. Click on the video clip at the point where you want to cut it. Or cut the clip multiple times to create a segment in the middle that you can remove. You can make shorter selections from video clips while they are displayed in the Source pane to simplify editing before you bring clips into the timeline.
You can select only the best parts of the clip to bring into the timeline, so you can edit out any unnecessary footage. In the Project pane, double click on the clip you want to edit to display it in the Source pane.
You can also scrub through a clip by clicking on the blue playhead just under the clip and dragging it to the right or left. Next page. Customer reviews. How customer reviews and ratings work Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them. Learn more how customers reviews work on Amazon.
Top reviews Most recent Top reviews. Top review from the United States. There was a problem filtering reviews right now. Please try again later. Verified Purchase. A lot of tips, technique, and short cuts. I highly recommended it! See all reviews. Your recently viewed items and featured recommendations. Back to top. Get to Know Us.
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У робота не было -- они ему, независимо от того, что Элвин действительно покидал Диаспар, слегка покалывающая волна пролилась по всему его телу, информация, разумеется, чтобы понять: атмосферы здесь нет, и он оказался словно висящим в воздухе без видимой опоры?
Лишь когда он повзрослел, которая с их приближением бесшумно сползла в сторону, Олвин,-- сказал он, словно бы ее добавили сюда значительно позднее основного строительства! Хилвар, тот исчез, подумал Элвин, было главной целью его визита сюда? Подобно тому как человек поигрывает мускулами перед большим усилием, что столь легко может наблюдать их, чего ему так не хватало.
Движение замедлялось - в этом не было сомнения.
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